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Academy Color Encoding System explained
Film & TV

What is ACES - and why should you care?

We explain what the Academy Color Encoding System (ACES) is, and why creators of VFX need to be aware of it.

min read
MPC streamlined their business with Nuke Studio
Film & TV

How MPC streamlined editing & review across its business

Learn more about how MPC harnesses the power of Nuke Studio.

min read
India and Foundry
Film & TV

This is why Asia is set to change the VFX industry forever

We explore how the biggest audiences of the future will be from Asia, and what the implications of this are for the VFX industry. Read more here!

min read
Oscars header
Film & TV

What the Oscars told us about visual effects in 2019

This year’s shortlist for Best Visual Effects Academy Award offered a fascinating snapshot into the VFX trends shaping the images we see in films.

min read
8K post-houses
Film & TV

This is why VFX studios can't afford to ignore 8K

In this article, we explore why post-houses should be taking note of 8K’s inevitable progression towards the mass-market. Read more here!

min read
image
Real time

Peeling back the layers of the virtual production onion

We look at how the disconnected stages of virtual production will become better linked together, forming a layered, virtual production ‘onion’.

min read
Deep learning exploration
Machine learning

Explaining deep learning: what it is, and what it’s not

Deep learning has the potential to reinvent every industry—including VFX. But what is it exactly? Find out here.

min read
Trends of 2019
Film & TV

The big trends that will define 2019

We look into our crystal ball and try to predict the VFX and tech trends that will define 2019.

min read
Human limitations and its affect on VR
VR/AR/MR

Human anatomy and limited technology: the barriers to truly immersive VR

The Holy Grail in VR is to create a true sense of presence by making the viewer believe they’re truly inside the virtual world. But that’s easier said than done...

min read
Katana header
Film & TV

Katana in 2018 and the road ahead

We take a look back at some of our best Katana customer stories from 2018, and look ahead to what’s in store for next year.

min read
Streaming platforms
Film & TV

SVOD as a boon for the VFX industry

We look at how the rise of subscription video on demand (SVOD) has created a windfall of work for VFX studios

min read
STAR WARS
Film & TV

Rear projection on Solo: A Star Wars Story

We catch up with Rob Bredow, Head of ILM, about his work using advanced projection techniques on Solo: A Star Wars Story.

min read