Film & TV.
Rear projection on Solo: A Star Wars Story
We catch up with Rob Bredow, Head of ILM, about his work using advanced projection techniques on Solo: A Star Wars Story.
Aspiring to be a texture artist at a big studio? Hear Paul’s story
Find out how texture artist Paul Paulinho fell in love with texturing through Mari and bagged a dream job at Method Studios. Watch the video here.
Animal Logic Academy: discovering the VFX stars of the future
We speak to some of the students and tutors involved in bringing short film The Color Thief to life, using Katana, as part of the first student project of 2018 at the Animal Logic Academy. Read more here!
One billion assets: How Pixar’s Lightspeed team tackled Coco’s complexity
We speak to Renee Tam, Lightspeed Lead at Pixar Animation Studios, about how her team overcame complexity to deliver the critically acclaimed movie, Coco.
How Animal Logic beat the clock on Peter Rabbit
Combining a mix of visual effects and modern animation techniques, Peter Rabbit is a great showcase of what the team at Animal Logic can do. Watch this video to find out how they used Nuke and Mari to help create it.
Weta Digital: managing complexity on War for the Planet of the Apes
Get a behind-the-scenes look at Weta Digital’s deep compositing work in War for the Planet of the Apes. Watch the video here!