Insights

Baseblack's Mari workflow on Harry Potter and the Dealthy Hallows

Box office record-breaking Avatar was a hugely challenging film to make with a staggering 2500 VFX shots that include both performance-capture characters and models of enormous scale.

Step inside Phil Tippett’s mind with his passion project: MAD GOD

Oscar® winning VFX Supervisor Tim Webber and members the visual effects team at Framestore talk about their experiences of creating the incredible award-winning Gravity. The team talk about the challenges that the CG-heavy film presented and discuss the unique blend of cinematography and post-production.

To accomplish the CG and stop-motion action for Kubo LAIKA turned to Foundry’s Mari and Katana®. Read how they helped create their latest masterpiece.

Deadpool is a mix of twisted humour, pulse-racing action and breathtaking visual effects. Find out how Nuke played its part with Blur Studio.