Toya Drechsler, from MPC, joined us at SIGGRAPH 2019 and revealed how they overcame their challenges in their latest BMW advert. Toya also explains how they used Nuke and Nuke Studio to help them push their creativity further. Don't miss her talk as she shows off an exclusive breakdown!
Austin Brown, from Psyop, joined us at SIGGRAPH 2019 to discuss the creative challenges that him and his team faced when creating the Brawl Stars trailer and how they overcame these hurdles. He also explained how Live Groups was used in Nuke and how it allowed them to be more efficient.
Adrian Graham, from Google Cloud, explains the benefits of the cloud and why studios need to rethink their optimization priorities from utilization to flexibility which allow users to scale production capacity up and down anywhere, anytime. Artists are also supported by an ecosystem of tools.
Bernhard Kimbacher, from Hive VFX, joined us at SIGGRAPH 2019 and discussed a work-life balance where life comes first. He explains three personal benefits of Athera and the cloud including location independence, living more and personal fulfilment. He also explains the important cornerstones for remote artists and how to collaborate, the accountability and simplicity of the cloud.
Robert Keske, from Nice Shoes based in New York, joined us at SIGGRAPH 2019. He explained no walls - a mentality of how we do things and not being limited by the size of your studio and wallet. He gave us an insight to how the studio has grown and developed within the years and how Athera has changed their studio for the better.
Dawn Fidrick, from Griffith Observatory, joined us at SIGGRAPH 2019! Griffith Observatory is a historic Los Angeles landmark with 1.6 million visitors a year. Their mission is to inspire everyone to observe, ponder and understand the sky.
Nick Boughen, from CG Masters, joined us at SIGGRAPH 2019 and explained why CG Masters adopted Katana. He explains that a part of the recipe of their success is a willingness and ability to stay ahead of the technology curve rather than being reactive to industry. He goes on to explain what about Katana appeals to the industry such as a node-based interface, total procedural workflow and more.
Exceptional Minds' Studio Executive Producer, Susan Zwerman, talks us through the movie magic behind some of your favourite motion pictures. She also showcases the visual effects created by artists on the autism spectrum. Exceptional Minds is a school/studio for adults on the autism spectrum, offering hands on experience in the studios so the artists can build on their skills and resumes.
Check out our 2019 VFX showreel.
Have a look at what some of our customers have been creating with Nuke, Katana, Modo and Mari! We began with an idea that would speed up the creative process of visual effects. This notion of saving time so artists can create has remained at the heart of what we do.
Discover how Flix removes boring technical barriers and enhances artist creativity with Storyboard Artist, Viktorija Sipilova.
Flix lives at the heart of your pre-production, making it easier for teams to collaborate together and iterate on ideas. Everyone including artists, production staff, directors, editors and others have access to the latest versions of every section of your projects, be they long form or episodic.
