Discover how Spiderman: Into the Spider-Verse was created.
Sony Imageworks tell us how they used Nuke, Mari and Katana to help create the unique graphic look in Award-Winning, Spiderman: Into the Spider-Verse.
Ria Benard is the owner and director of Lost Boys Studios school of VFX, with many years experience working in education, 3D Animation, and other areas of the industry.
At FMX 2019, Ivaylo Petrov provided us a glimpse into how Bulgarian VFX studio Worldwide FX brought the Hellboy universe to the big screen with the help of Katana.
At FMX 2019, Ilion Animation Studios’ Modelling and Surfacing Supervisor, Javier Borrego, will take us through how Mari was used by the team on Wonder Park for the characters, set and props.
Jan Burda will reveals his favourite compositing magic tricks in Nuke, whilst giving some insight into his work on productions including TV series Gotthard.
Watch to find out how Paul Paulino fell in love with texturing and got a job at Method Studios.
Mari is 3D painting without limits, combining the power and performance to handle even the most complex assets with artist-friendly 3D paint tools that make the most of your creativity.
With six Academy Awards to their name, Weta Digital know a thing or two about creating stunning visual effects.
Get a behind-the-scenes look at their deep compositing work in War for the Planet of the Apes with the use of Foundry's Nuke!
It's showreel time! Take a look at our VFX showreel and what our amazing clients have created over the past year with Foundry's products.
Outside of Mahsa's day job, she’s written, directed, and edited her own full-length feature film.
And it’s all been possible because she’s gained back hours of her week. How? Watch the video to find out! Katana gives a collaborative approach to look development and lighting, and the creative scope and scalability to meet the needs of today’s most demanding CG-rendering projects.
Combining a mix of visual effects and modern animation techniques, Peter Rabbit is a great showcase of what the team at Animal Logic can do.
The end results are undeniably impressive, but the road there wasn't easy: shifting deadlines meant a huge amount of work had to be completed in a short time, and they set the bar high in terms of the level of realism they wanted to achieve. To get there, the team relied on Nuke to automate huge chunks of the process so their artists could spend their time doing what they do best. They also harnessed the power of Mari to paint at the high resolutions and detail required for creating ultra-realistic CG characters, including fully feathered birds and, of course, a lot of rabbits.
